Search Results | SOAR (Scholarly Open Access at Rutgers)

1

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[Review of the book Brazilian Popular Music and Citizenship, edited by I. Avelar and C. Dunn] (2012)

Eduardo Herrera

AmeriQuests 9(1-2).

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2

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The Color of Music Heritage: Chinese America in American Ultra-Modern Music (2009)

Nancy Yunhwa Rao

Journal of Asian American Studies 12(1): 83-119.

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3

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(6.04 MB)

Hearing Pentatonicism Through Serialism: Integrating Different Traditions in Chinese Contemporary Music (2002)

Nancy Yunhwa Rao

Perspectives of New Music 40(2): 190-232.

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4

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(1.29 MB)

Not Just Sheet Music: Describing Print and Manuscript Music in Archives and Special Collections (2011)

Adriana P. Cuervo, Eric J. Harbeson

Archival Issues 33(1): 41-55.

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5

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(1.41 MB)

Pensar los compositores latinoamericanos del final del siglo XX y primeras décadas del XXI desde una perspectiva poscolonial (2015)

Eduardo Herrera

Pauta 32(135): 44-57.

6

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(198.58 kb)

Review: Representing the Good Neighbor: Music, Difference, and the Pan American Dream. By Carol A. Hess. New York: Oxford University Press, 2013. Sounds of War: Music in the United States during World War II. By Annegret Fauser. New York: Oxford University Press, 2013. (2016)

Eduardo Herrera

Journal of the Society for American Music 10(1): 91-97.

Representing the Good Neighbor: Music, Difference, and the Pan American Dream.

Sounds of War: Music in the United States during World War II.

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7

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(1.73 MB)

Austeridad, sintaxis no-discursiva y microprocesos en la obra de Coriún Aharonián (2005)

Eduardo Herrera

Cuadernos de música, artes visuales y artes escénicas 1(1): 23-65.

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8

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(543.75 kb)

Carlos Chávez (2009)

Eduardo Herrera

In: Musicians and Composers of the 20th Century, 233-237. Pasadena, CA: Salem Press.

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9

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(4.16 MB)

Sketch Studies and Lu Yen’s Harmony (2015)

Nancy Yunhwa Rao

National Central University Journal of Humanities 60: 1-51.

10

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(899.07 kb)

El compositor uruguayo Coriún Aharonián: música, ideología y el rol del compositor en la sociedad (2013)

Eduardo Herrera

Latin American Music Review 34(2): 254-285.

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